Tag Archives: #snp2020

2020 Festival Awards

Our third annual festival was held last month, virtually across Canada, and once more exceeded my expectations. I’m grateful to our staff, volunteers, audience, and especially to our filmmakers, and I want to recognize those films awarded by our juries and audience. Thank you to all our jury members for their hard work and for lending us their expertise. Congratulations to these filmmakers but also to all the rest of the filmmakers who allowed us to share their work during the festival. Toronto Canada enjoyed watching your films and we can’t wait to see what you’re working on next!

Award Winners 2020

Best Narrative Film

El tamaño de las cosas [poster image]

The Size of Things (El tamaño de las cosas) (Dir: Carlos Felipe Montoya)

Jury statement: A child’s world is often filled with the unexpected and unexplained. The winning work immerses us in the beautiful Colombian countryside, into the loving home shared by an indigenous father and his young son. The director has crafted a memorable film whose stunning production design and incredible camerawork enhances its deeply original story that is in equal measures tender, prosaic, and magical. It reminds us of the power and possibility embedded in every child.

Best Documentary Film

Huntsville Station [poster image]

Huntsville Station (Dirs: Chris Filippone, Jamie Meltzer)

Jury statement: For its humane, compassionate approach, intimate storytelling and patient craft in capturing a moment of freedom and the uncertain future that awaits, the Best Short Documentary award goes to Huntsville Station.

Best Animated Film

Freeze Frame [poster image]

Freeze Frame (Dir: Soetkin Verstegen)

Jury statement: With stunning cinematography and haunting sound design, this film expresses the beauty, fragility, and impermanence of not only ice, but life itself. It’s difficult to imagine a more unforgiving medium for animation than one that is in constant danger of melting into nothingness. This short film is not only a remarkable achievement in its own right, but with its nods to the pioneering work of Eadweard Muybridge, it is also a fitting celebration of animation itself and of film’s ability to capture and preserve motion.

Audience Award

The Vasectomy Doctor [poster image]

The Vasectomy Doctor (Dir: Paul Webster)

There was also a jury special mention in one category:

  • Special Mention (Narrative): Idols Never Die (Dir: Jerome Yoo)

Jury statement: It is rare, especially now, to find a short that is so breezy, smart, and full of pop sensibility, one that appeals to our nostalgia and yet feels incredibly fresh. Jerome Yoo’s Idols Never Die manages to do all those things with the potentially dark, pulled-from-the-headlines subject of tragic K-Pop idols and their devoted uber-fans. Its energetic cinematography and performances made for an exciting and stylish watch, complemented by a screenplay that goes to the mushy heart of the heightened emotions and complex hierarchies of teen friendship.

2020 Festival Colouring Contest

2020 Festival Poster (Black and White)

We’re proud of this year’s poster by Jacob Rolfe and were delighted to use two different colours in our publicity for the festival. But now it’s your turn! Just download a PDF of the poster and colour it in your own way! Winners will receive a free all-access pass to the festival which runs virtually from November 13-22 all across Canada. Though entries coloured by kids are more than welcome, we remind you that the films in our festival are unrated and therefore should be watched by those 18 and over only.

Now let’s see your artistic talents!

You can send images or scans of your completed poster to [email protected]. Winners will be notified by email and winning entries posted on our web site, Facebook page, Instagram, and Twitter.

Download PDF of poster (7″ x 11″)

Full 2020 Lineup Revealed

Here’s the moment we’ve all been waiting for. I’m delighted to share the full lineup for our 2020 (virtual) festival, which will be screened online all across Canada from November 13-22. Thanks are in order to our amazing programming team: Linda Taillon, Diana Sernick, Keith Klegman, Cameron Carpenter, Shelagh Rowan-Legg, Brennan Tilley, Ariane Molinatti, Iris Bagola, Amanda Clarke, Caterina Micci, Felix De Leon, Emily Monroe, Catharine Macdonald, Tammy Magnusson, Alessandro Romano, Caitlin Mayberry, Terry Chi, Hillary Butler, Kyle McCarthy, Craig McCourt, and Ignacio Hernández. I couldn’t have done it without your help!

Tickets and passes are on sale now, and you can also see the schedule and the film guide at our festival mini-site. Hope you’ll join us in November!

74 films from 24 countries. Narrative films (43), documentaries (13), and animated films (19); something for everyone. Some other facts: 16 Canadian films, 28 films directed by women, 11 student films.

2020 Festival Poster (Red)

705 (Canada, 3 minutes)
Dir: Samantha Henry

A character lives in an inhospitable world, but they start their day just like many of us; with a fresh cup of coffee.

A JAR OF NUTS (Cyprus, 17 minutes)
Dir: Savvas Stavrou

Isolated in his apartment, the lonely forty-year old Giorgos meticulously devises an intricate plan to take his life after his beloved mother chokes to death on a pistachio.

As the day progresses, Giorgos allows excuses, obstacles and people to hinder his final deadly leap from the balcony, completely oblivious to the true reason behind all his stalling.

À LA MODE (France, 9 minutes)
Dir: Jean Lecointre

In a kingdom tormented by fashion crazes, a queen and her court must always keep up with the new trend. If not, an abominable monster will consume them: the Ridicule. But with the arrival of a disarmingly natural cowboy, this nation of fashion victims laughs, and a simple question arises: what if the Ridicule isn’t what we think?

ARCHIBALD’S SYNDROME (France, 19 minutes)
Dir: Daniel Perez

Archibald was born with a curious curse: he can’t make a move without everyone around doing the same. In despair, he robs a bank and meets Indiana, a young woman who has always escaped every form of control.

AS YOU CAN SEE (Egypt, 8 minutes)
Dir: Ghada Fikri

Can the lines in a hand hold stories? What memories do the grooves store? Ghada invites her mother to reflect on her life while taking us on a poetic exploration into her mother’s hands: the hands that raised five children almost single handedly. Why, Ghada asks, should someone have to give up their hands for those they love?

ASPARAGUS 2 (USA, 5 minutes)
Dir: Yuma Slowbinder

The next great American asparagus movie.

A doctor informs his patient that when he thinks he’s eating asparagus he is actually smoking an entire pack of unfiltered Cuban cigarettes. Upon learning this the patient must reckon with his own subjectivity, with no help from at all from his doctor.

BALLAD OF MUSIC NOTES (China, 4 minutes)
Dir: Xi Chengzhuo

For every piano player, there is a world of notes in the score book, and every performance is a journey into this world. Books are the carrier of the world. In the same world, the people who enter and the way they play are different. What happens when two different players enter the world?

BEHIND THE MASK (UK, 11 minutes)
Dir: Simon K. Matthews

Two actors enter a mental, physical and emotional dick-swinging contest, leading to the inevitable reveal of their worst selves. Urgh, actors.

Dir: Alireza Ghasemi

Four kids start their journey to the moon with the mission of finding a mysterious place called The Redland but the gates are being guarded by a mischievous snake.

BKS (Canada, 11 minutes)
Dir: Alexa-Jeanne Dubé

BKS is a short fiction film using A.S.M.R. video codes to unfold.

THE BOOK (EL LLIBRE) (Spain, 3 minutes)
Dir: Francesca Català

A librarian is bored sitting at her desk until one book falls down from the shelves and interrupts her monotonous day.

BUT YOU’RE NOT BLACK (Canada, 19 minutes)
Dir: Danielle Ayow

A Chinese-Caribbean-Canadian woman, driven by people’s inability to separate her skin colour from her culture, tries to own the Trinidadian identity she knows should feel like hers.

CAMERA OBSCURA (France, 19 minutes)
Dirs: Mary-Noelle Dana, Sonia Sieff

Cléo, a fervent feminist, works in a catering company to pay for her studies. Hired on a fashion shoot by the team of Alice Klein, a world-famous photographer, Cléo is forced, at the risk of losing her job, to replace an unsuitable model at a moment’s notice.

CAYENNE (Canada, 11 minutes)
Dir: Simon Gionet

During her night shift at a remote gas station, a female clerk agrees to help a man whose car has broken down. While they both attempt to repair the vehicle, the driver’s intentions leave the young woman uncertain. In the middle of the deserted parking lot, an air of apprehension fills the night as the events of the evening unfold.

THE CHIMNEY SWIFT (Germany, 5 minutes)
Dir: Frédéric Schuld

19th century Europe. A child climbs up a chimney while a bird sails down into it to build a nest. An encounter with no way back. A British chimney sweeper describes his everyday routine of forcing young kids to become workers. While we observe a kid cleaning a chimney, the master’s statement gets more personal with every sentence until we understand, that he is speaking about his own past.

CIRCUS MOVEMENTS (Germany, 15 minutes)
Dirs: Lukas Berger, Mário Gajo de Carvalho

Circus culture is a space of diversity, cooperation and integration. A magical space with real people. Circus Movements was shot with circus kids from Ethiopia – Liya and Beza, doing the hula hoop; Habtamnesh, doing the aerial hoop; and the Beniyam, only 5 years old, performing acrobatics. Collectively, they are great circus artists performing in the magnificent landscapes of Ethiopia.

CUCKOO! (KOEKOEK!) (Netherlands, 7 minutes)
Dir: Jörgen Scholtens

A lonely man lives inside a cuckoo clock. Every hour he straps himself into his ejection seat and shoots through the doors of the clock. “Cuckoo!” He yells, “Cuckoo!” His work is of vital importance. The old lady who sits under the clock needs to take her medication exactly at the top of every hour. One day the man has the opportunity to win a substantial sum of money in a radio quiz. He loves gadgets and wants to buy a new computer. The only problem is that he can only dial in at the exact time he’s supposed to sit in his seat.

DEEP LOVE (Кохання) (Ukraine, 14 minutes)
Dir: Mykyta Lyskov

Deep love has finally happened in Ukraine

DOG DAYS (Poland, 15 minutes)
Dir: Zuzanna Gracjewicz

What is lacking in the world in which animals no longer exist? The two protagonists of Dog Days decide to establish a company which provides services for those who need a replacement for animals that are already extinct. In the relationship between humans and animals, all kinds of emotions are involved. Along with friendship and attachment, there is always a certain amount of violence, which will seek an outlet.

EMPTY PLACES (France, 8 minutes)
Dir: Geoffroy de Crécy

Where is everyone?

EXHALE (Ukraine, 6 minutes)
Dir: Igor Stekolenko

We observe the heroine in the most critical and significant moment of her life. She has been caught alone in the wasteland, in conditions that are unsuitable and disturbing for such an irreversible process. Her fearless determination and metaphysical force turn crisis into a positive resolution of the inevitable. Finally, the heroine is not alone anymore.

FELT LOVE (USA, 7 minutes)
Dirs: Arlene Bongco, Angeline Vu

A young boy learns to understand the depth of his mother’s love despite the distance her dedication may create.

FREEZE FRAME (Belgium, 5 minutes)
Dir: Soetkin Verstegen

Freeze frame: the most absurd technique since the invention of the moving image. Through an elaborate process of duplicating the same image over and over again, it creates the illusion of stillness. In this stop motion film, identical figures perform the hopeless task of preserving blocks of ice. The repetitive movements reanimate the animals captured inside.

FRENCH CINEMA (Bulgaria, 20 minutes)
Dir: Galina D. Georgieva

In a small country town, in the room behind the screen at the local cinema, two women spend their time by writing letters to Alain Delon. Inspired by The Physics of Sorrow by Georgi Gospodinov.

FULLY INVOLVED (Canada, 11 minutes)
Dir: Kyle Kulla

Brampton Fire Captain Glenn Berwick discusses the horrific realities of being a Fire Fighter and the mental toll it can take on a person. Through his work, Glenn discusses having to build the mental barriers to be able to continue the job and how this strength plays a factor when he suffers extreme loss in his personal life, the suicide of his best friend.

FUNFAIR (Iran, 15 minutes)
Dir: Kaveh Mazaheri

Majid, a young financially struggling man, comes up with a ploy in order to better the life of his wife Sarah.

GANEF (UK, 14 minutes)
Dir: Mark Rosenblatt

London 1962. A little girl, spooked by a dark tale from her mother’s wartime past, starts to imagine their beloved family cleaner (Downton Abbey’s Sophie McShera) is a thief. GANEF (Yiddish for ‘thief’) explores how trauma can be passed from one generation to the next.

GLAD YOU’RE HERE (Canada, 10 minutes)
Dir: Lisa Kannakko

This autobiographical short film covers a 19-year history of the filmmaker’s life. It unfolds a traumatic story in a way that captures the viewer and offers transparency and new beginnings. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

GOODBYE GOLOVIN (Canada, 14 minutes)
Dir: Mathieu Grimard

For Ian Golovin, the death of his father is the chance at a new life outside his native country. As he prepares to leave and bid farewell to his sister, he is forced to face his decision — why he is always blindly moving forward and what he is leaving behind.

GREEN GRASS (Canada, 8 minutes)
Dir: Michael Greco

Poignant, powerful, and told without dialogue, Green Grass is a thought-provoking allegory that follows two hopeful migrants who make the arduous journey to what they believe must be a better life only to discover their destination may no longer be the place they thought it was.

HOT DOG (USA, 10 minutes)
Dir: Patrick Muhlberger

A group of coworkers try to rescue a dog trapped in a hot car. Chaos ensues in a single shot.

HOW TO FALL IN LOVE IN A PANDEMIC (Ireland, 10 minutes)
Dir: Michael-David McKernan

How to Fall in Love in a Pandemic is a short doc filmed in lockdown that follows a capsule romance between two filmmakers and how they are forced to move in together after knowing each other for just two weeks.

Dirs: Jamie Meltzer, Chris Filippone

Every weekday, inmates are released from Huntsville State Penitentiary, taking in their first moments of freedom with phone calls, cigarettes, and quiet reflection at the Greyhound station up the block.

THE ICE CUBES (LES GLAÇONS) (Belgium, 10 minutes)
(Dir: Sara Dufossé)

The Ice Cubes tells the story of a past relationship and what’s left of it after a few months, shot in a single take.

IDOLS NEVER DIE (Canada, 17 minutes)
Dir: Jerome Yoo

When Korean pop idol “N.D.” tragically dies, a dysfunctional group of high school fan girls discover a hidden message in his music, which leads them on a quest to fulfill his final wish — to spread his ashes over the tallest tree in their hometown forest.

JESSE JAMS (Canada, 16 minutes)
Dir: Trevor Anderson

A young Indigenous musician and his rock band bring mumblepunk to the Interstellar Rodeo. A rock ‘n’ roll survival story of a different stripe.

JUMPERS (France, 8 minutes)
Dir: Mario Schiniotakis

A group of rollerskaters take the streets of Paris as their playground.

KILT (France, 14 minutes)
Dir: Rakel Ström

Like lots of guys, Philippe is hairy.
Like lots of guys, Philippe is going bald.
Like lots of guys, Philippe would like to turn into a woman sometimes…
Today, Philippe has decided to become a brand new man!

THE LITTLE BEACH (LA PLAYITA) (Argentina, 13 minutes)
Dir: Sonia Bertotti

The city of Corrientes in summer. On the shores of the Paraná River, in the shadow of the General Belgrano Bridge, thousands of families compete for space for their umbrellas and chaise lounges. Priscila, a 7 year old girl no one pays any attention to, sets out in pursuit of an elusive toy vendor, getting further away from her family and closer to adventure.

THE LONELY ORBIT (Switzerland, 9 minutes)
Dirs: Frederic Siegel, Benjamin Morard

Leaving for his dream job, a satellite technician keeps solitude at bay by constantly texting with his old friends. After he neglects his duties, a satellite leaves its orbit which causes the world’s network to collapse.

MARTY (Canada, 7 minutes)
Dir: Mike McKinlay

Marty follows an 11 year old ’80s obsessed skate punk – stuck in the past while struggling to navigate the present.

MEATS (USA, 10 minutes)
Dir: Ashley Williams

A pregnant vegan struggles with her newfound craving for meat.

NORMAL (France, 11 minutes)
Dir: Julie Caty

Dany has a magic gift: he just snaps his fingers to get everything he desires. But he finds all that stupidly uninteresting or, to use his most usual expression: “NORMAL”! To overcome so much weariness, Dany drugs himself by consuming Magic Powder but one day, it runs out. Dany, completely defeated, stays in his room… and starts reading.

OUT OF ORDER (Canada, 17 minutes)
Dir: Matthias Falvai

In the not-so-distant future, Christopher, a depressed young man, enters a Suicide Assistance Booth hoping to end his life; however, the sentient AI has a plan of its own.

THE OWL (UGGLAN) (Sweden, 8 minutes)
Dirs: Simon Pontén, Joakim Behrman

The mood in a teachers’ lounge changes when the reason behind a teacher’s nickname is brought to light.

PEETE (Canada, 10 minutes)
Dir: Simon Madore

A washed-up misfit by the name of Peete moves temporarily into a quiet suburb. As he waits for a loved one to contact him, he forms a bond with a young neighbour to whom he bears a strange resemblance.

PERLE (France, 15 minutes)
Dir: Juliette Boucheny

Following the death of the man she loves, Perle decides not to live without him. One Saturday in July, in the heat of Cannes, her daughter and grandson come to lunch. Between the real and the unreal, Perle lives…

THE PHD (Canada, 20 minutes)
Dir: Maxime S. Girard

A romantic dinner turns into a ludicrous disaster when Bruno, an anxious psychology student, has to lie to his control-freak boyfriend about what really happened during his PhD entrance interview earlier that day.

PIPO AND BLIND LOVE (France, 13 minutes)
Dir: Hugo Le Gourrierec

In a dehumanized world where emotions are rationed and measured by gauges, Pipo, a young worker, falls under the spell of a young woman sitting on a bench. He will do everything he can to attract her attention and to seduce her with words of his own.

POSTPARTUM (Germany, 5 minutes)
Dir: Henriette Rietz

Postpartum is about the chaotic phase in life of a fresh mother. Pumped up with hormones and lacking sleep, this intense time has burned deep into the protagonist’s heart. This film is an honest and very personal insight into the world of an overwhelmed mother, who seriously thought that parental leave would become a sort of sabbatical.

THE PRAYER (China, 14 minutes)
(Dir: Xinyu Cao)

After a night of heavy drinking, an anaesthesiologist is asked to work his hospital connections to bring the best attention to his young grand-nephew who was hit by a car the previous evening. Fear and a sense of guilt escalate when he spots a dent on the back of his car. No matter where the truth lies, this atheist turns to pray before going into the operating room.

PREY (Canada, 6 minutes)
Dirs: Aiken Chau, Ella Ye, Keni Xiao Xuan Ji, Ryan Maman, Anastasia Adela Putra, Alice Liu, Sabrina Shan, Saniya Baig, Danny Del Toro, Rujun Ma, Summer Oh, Sabrina Shan, Nathan Chen

A relentless hunter travels through the forest collecting antlers and discovers monstrous consequences for his actions.

RAIN MACHINE (France, 10 minutes)
Dir: Jérôme Walter Gueguen

Two explorers arrive ashore in an abandoned land in search of a mysterious beast. Under a permanent driving rain, torn between their opposing beliefs while struggling with heavy equipment, they will walk together or die.

Dir: Chieh Cheng

Reminiscence​ is about a grandmother and her grandson, both immigrants from Earth living on Mars, who travel from the red planet back to the blue one. This film addresses not only the importance of a common destiny shared between humanity and Earth but also traces our history which roots in our memories. In the journey from the future to the past, between the virtual world and reality, viewers are asked to ponder the essence of life today and what it means to the humanity of the future.

RINGING (DAS LÄUTEN) (Germany, 19 minutes)
Dir: Erik Zühlsdorf

Jonas is a lost teenager. In desperation, he locks himself in a classroom with his teacher. He pulls out a gun to go on a rampage, but he gives his teacher the chance to write down some last words.

ROUTE-3 (Bosnia and Herzegovina, 13 minutes)
Dir: Thanasis Neofotistos

In a tram on Route-3, the old lady in the leopard dress treats the passengers with juicy oranges during a hot, but rainy day in the centre of Sarajevo. Nadja, the princess-teen in her pink hijab; Luka, the virgin bully; an Orthodox Priest; an old creepy man and many, many more ordinary people in this tram have nothing in common, but a juicy slice of orange. All except a shy, yet horny, teenager named Amar.

SAD BEAUTY (Netherlands, 10 minutes)
Dir: Arjen Brentjes

In a heavily polluted world, a young woman mourns the disappearance of animal species. When she falls ill due to a bacterial infection, nature appears to send her a message in her hallucinations.

Dir: Carlos Felipe Montoya

Diego lives with his father in a house without things, without furniture, without anything. One day he finds a chair deep in the woods and the desire of possession arises. Diego takes the chair back home but his father disagrees and orders him to return it. At night, the father recognizes the boy’s feeling of dearth and allows Diego to bring the chair again. Diego returns to the forest but something has happened, something really big. He can’t bring the chair this time.

STORY (Poland, 5 minutes)
Dir: Jolanta Bankowska

Story is a reflection about modern man in an age of omnipresent technology. Looking through stories – a popular function in many social media platforms – we see people who are lonely, lost or already indifferent about reality surrounding them. Action takes place during one day and it’s told by short, often (auto)ironic scenes, where virtual world sinks to reality.

STUD BOOB (USA, 10 minutes)
Dir: Shaina Feinberg

Two sisters in a bathroom debate their different approaches to the patriarchy.

SUNDAY (India, 10 minutes)
Dir: Arun Fulara

When the middle-aged Kamble makes his weekly visit to the neighbourhood barber shop, it’s not just for a shave. He can’t wait to be touched by Jaan, the new barber-boy he has a crush on. It’s the highlight of his otherwise dull existence as a married man leading a dual life in a society that abhors homosexuality.

SUPPORTER (Прибічник) (Ukraine, 8 minutes)
Dir: Sergey Naida

Transporting cultural value from another dimension, the courier soldier finds himself in the vastness of the Ukrainian present.

Dir: Kristina Wagenbauer

After a month of texting, Zoe has organized a perfect first date with Marc. Their expectations will be tested by reality.

TOXIC (TÓXICO) (Mexico, 18 minutes)
Dir: Fabián Archondo

A couple in a marriage crisis will have to survive a terrible explosion that releases toxic particles into the environment while being trapped in a little house in the middle of the desert.

TRIMMING (ZUSCHNITT) (Switzerland, 15 minutes)
Dir: Larissa Odermatt

A film about one’s own hair, about self-discovery, social constraints and defining beauty ideals in the digital age.

TRUTH HERTZ (USA, 3 minutes)
Dir: Shaun Majumder

When a father suspects his son is lying, he buys lie detector robot and gets more truth than he had hoped for.

THE VASECTOMY DOCTOR (Ireland, 11 minutes)
Dir: Paul Webster

The Vasectomy Doctor is a short film produced in 2018 as part of Screen Ireland’s Real Shorts documentary scheme. It tells the story of Dr. Andrew Rynne, Ireland’s first vasectomist.

THE VISIT (Iran, 14 minutes)
Dir: Azadeh Moussavi

After six months, Elaheh is finally allowed to visit her husband, who is a political prisoner. Elaheh and her little daughter Tara have one single day to prepare for this important meeting.

WADE (India, 11 minutes)
Dirs: Upamanyu Bhattacharyya, Kalp Sanghvi

In a version of Kolkata, India rendered unlivable by sea level rise, things take a dark turn when a family of climate change refugees are ambushed by a tiger on the flooded streets.

WAITING FOR HAROLD (Germany, 6 minutes)
Dir: Christoph Lauenstein

Is there something like destiny or is life just a line of coincidences? With small clay figures and a continuously moving camera Waiting for Harold explores the meaning of only small changes for the development of each character’s story.

WAVES (USA, 14 minutes)
Dir: Jane Hae Kim

Jamie, a hesitant Korean-American woman, visits home for the holidays. She hopes to catch up and make some sort of connection with her family but instead, like in the past, feels isolated and alone. Through the experience of feeling like the black sheep once again, she looks to different forms of water as a means of comfort and re-connection.

Dir: Julien Crampon

Two friends are cycling on a road. They’re cruising, taking their time and absorbing the world one last time. A conversation starts.

Announcing Our 2020 Animation Jury

I’m particularly delighted to share with you our 2020 animation jury. Each of these members has some history with the festival, with one going back to the very beginning! We’re so thankful to have their participation this year.

Kirsten LeporeJohn MartzNata Metlukh

Kirsten Lepore

Kirsten Lepore is an LA-based director and animator, and alumna of CalArts. Her viral hit Hi Stranger garnered upwards of 200 million views online, and her stop-motion episode of Adventure Time won a 2016 Emmy & Annie award. Her other films have taken top prizes at SXSW, Slamdance, and many other international festivals. She has worked with clients such as Google, MTV, Mini Cooper, Silk, Skippy, Nestle, and many more. Kirsten has given talks everywhere from Pixar to Portugal and has also been featured in Juxtapoz, Shots, and was named one of the 50 most creative people by Creativity Magazine. We showed her short film Bottle (2010) as part of our January 2016 quarterly screening lineup.

John Martz

John Martz is a cartoonist, illustrator, and designer. His work has been seen in MAD Magazine and The Nib, and his books for children include A Cat Named Tim and Other Stories, Burt’s Way Home, and Evie and the Truth About Witches from Koyama Press. He was the founding editor of the illustration blog Drawn.ca, which he relaunched in 2020 with a focus on animated shorts. John lives in Toronto, where he works as the art director for Tundra Books and Penguin Random House Canada Young Readers. Way back in 2011, John designed the Shorts That Are Not Pants logo, which we are still using today.

Nata Metlukh

Nata Metlukh is a Ukrainian-born animation artist based in San Francisco. She creates visually bold, character driven works featuring urban lifestyle. Her animated films have been recognized by major film festivals and received several awards. Her film Pura Vida won the Best Animated Short award at the 2019 edition of the Shorts That Are Not Pants Film Festival.


Roku Express

Enter to win one of 10 Roku Express streaming media players, courtesy of Roku Canada. Ten winners will be drawn from our first 100 pass buyers, allowing you to enjoy our festival films on your very own home entertainment system.*

Easy to use and simple to set up, the Roku Express makes streaming what you love fun and easy. With access to more than 150,000 movies and TV episodes from the top free and paid channels, including The Roku Channel, Netflix, Prime Video, Disney+, Apple TV, Hayu, users are provided with endless entertainment. The Roku Express is available in-store and online at Walmart, Best Buy, The Source, Amazon.ca and more for $39.99.

Get your passes here: https://shortsnotpants2020.eventive.org/passes/buy

* requires installing the free Eventive app on your Roku Express. Winners should receive their prizes in time for our festival dates but we cannot guarantee delivery in time.